Tuesday, May 26, 2026 · Vol. 1, No. 12
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I ran a print-on-demand store for a year. Here's the P&L

Twelve months. Three platforms. 2,840 designs uploaded. $11,260 in gross revenue. After fees, ads, and the design subscriptions I forgot to cancel, I cleared less than my old part-time bookstore job. Here are the numbers, and the parts I would do differently.

Above: Monthly gross revenue and net profit, my POD store, May 2024 – April 2025.

A year ago I started a print-on-demand store as an experiment. The pitch — that you can build a passive product business by uploading designs to platforms that handle printing, fulfillment, and shipping — has been all over the side-hustle internet for half a decade. I wanted to know if the numbers held up when an actual person ran the actual thing for an actual year. They mostly did not, and the way they did not is the interesting part.

The setup, briefly

Three platforms, picked because they did not require me to hold inventory: Redbubble, Society6, and Merch by Amazon (after a four-month wait for account approval). I licensed three sets of stock illustrations and modified them — within the licenses — into 2,840 design variants over the year. The mix was the usual: typography quotes, line-art animals, niche-hobby visuals (hiking, knitting, board games), and seasonal designs.

The store had no separate website. I posted designs to a small Instagram account that grew to 3,400 followers over the year — most of them through one viral post about Hokkaido in February — and did $0 in paid advertising for the first eight months.

Revenue, by month

MonthGross salesPlatform royaltyNotes
May 2024$220$68First month, mostly friends
June 2024$380$118
July 2024$510$158
Aug 2024$640$198Merch approval came through
Sep 2024$1,210$372Back-to-school traffic
Oct 2024$1,440$436Halloween designs
Nov 2024$2,130$644Black Friday week, biggest single week
Dec 2024$2,840$854Holiday gift buying
Jan 2025$680$208Steep post-holiday drop
Feb 2025$540$166
Mar 2025$340$104Tried $150 in paid ads, broke even
Apr 2025$330$101
Total$11,260$3,427

Two things are visible in this table that the side-hustle blogs do not mention. First, holiday Q4 was 65% of the year's revenue. The "passive" income, in months when there is no gift-buying surge, was meaningfully below what gets sold as "achievable." Second, the platform royalty rate was 28-32% — what is paid out to the designer after the platform takes its share. The remaining 70% is the platform's cut, not just printing and shipping. POD is a thin-margin business for the seller, by design.

The costs I underestimated

Royalties paid out are not the same as profit. Real costs against the $3,427 royalty figure:

CategoryAnnual cost
Stock illustration licenses (3 packs)$420
Design software (Affinity Designer one-time + Canva Pro)$220
Mockup/template software (Placeit)$168
Stock font licenses (two professional purchases)$95
Paid ads experiments (Pinterest, Meta)$340
Niche keyword research tool (3 months)$87
Bookkeeping software (Wave was free; QuickBooks not)$0
Schedule C tax-prep portion (estimated)$95
Total expenses$1,425

Then there was the time. I logged hours weekly in a simple sheet. Total time, including design work, uploads, platform admin, customer service emails (rare but real), and Instagram posting: 412 hours over the year. That averages 7.9 hours a week, with very uneven distribution — five-hour weeks early on, fifteen-hour weeks in October and November.

Net profit

$3,427 in royalties minus $1,425 in expenses = $2,002 in pre-tax profit. After self-employment tax (15.3% on net SE income), that becomes about $1,696. After federal income tax at my marginal rate, about $1,375. State tax took another $90.

Net after-tax profit: $1,285.

Divided by 412 hours, that is $3.12 per hour. The federal minimum wage is $7.25. I made less than half of minimum wage running a side business that the genre of motivational YouTube videos describes as "set it and forget it" passive income.

A side hustle is not a side hustle if it pays less per hour than a job you already have. It is an expensive hobby that uses entrepreneurship language.

What I would do differently

Three things, in case anyone is reading this and considering trying it themselves.

One: do not chase volume. Of the 2,840 designs, about 60 produced 80% of the revenue. The other 2,780 were noise that took time to make and never sold. A focused store with 200 carefully iterated designs in two niches would have done the same revenue with a quarter of the work.

Two: niche down, not across. My niches were too broad. "Hiking" sold less than "Pacific Crest Trail thru-hiking." "Knitting" sold less than "knitting with cats." Specificity, even at the cost of audience size, won every time. The deepest niche I had — board-game-specific quote designs aimed at one game — did $480 in revenue from 18 designs, the highest revenue-per-design in the store.

Three: do not bother with paid ads on a POD store. I lost money on every dollar I spent. The unit economics — 30% margin on a $25 average sale, which is roughly $7.50 of royalty per unit — cannot absorb a $4 customer acquisition cost without obliterating profit. POD as a business is not built for paid acquisition; it is built for organic discovery on the platform itself.

Would I do it again? Probably not at this scale. The interesting version, if I were starting now, would be a very narrow store — one niche, one platform, 50–80 designs, three hours a week. The economics on $3/hour scale; the economics on $30/hour might. That is a separate experiment I have not yet run.

Editorial note. Wealthronic publishes general educational information about personal finance — it is not personalized financial, tax, or legal advice. Specific dollar figures, returns, and timeframes in this article describe the author's experience and should not be taken as projections. Please consult a licensed financial professional before making material decisions about your money. Read our full editorial & affiliate disclosure.
JB

Juliet Brown

Founder & writer · Wealthronic

Juliet Brown started Wealthronic after a decade of keeping color-coded spreadsheets that her friends kept asking to see. A former operations analyst turned full-time writer, she covers budgeting, dividend investing, and side-hustle economics from primary sources — her own bank statements, brokerage exports, and tax returns. She lives between Lisbon and Brooklyn and is not a licensed financial advisor; nothing on this site is financial advice.